SIX the Musical Review 2026: Gloriously Fun, Fiercely Feminist — Is It Worth Seeing?

This SIX the Musical review by London Reviews is the most thorough independent audience guide available for the West End’s homegrown pop-concert phenomenon, currently playing at the Vaudeville Theatre on The Strand. We’ve cross-referenced professional critic verdicts, thousands of audience reviews, and current ticket pricing to bring you the definitive guide to whether SIX deserves your time and money in 2026.

Last updated: 30 April 2026 — Independently researched and written by the London Reviews editorial team. We do not accept payment from the shows or venues we review.

Looking for an honest SIX the Musical review? This is the most comprehensive independent assessment of SIX — the Olivier-nominated, Tony Award-winning musical at the Vaudeville Theatre, 404 Strand, London WC2R 0NH. Below we cover everything from ticket prices and best seats to cast performances, audience feedback, accessibility, and how it compares to similar West End shows.

1. SIX the Musical — At a Glance

2. Introduction: Why We’re Reviewing SIX

SIX isn’t just a West End show; it’s a cultural event. What began as a student project at Cambridge University in 2017 — written by Toby Marlow and Lucy Moss for an Edinburgh Fringe submission — has become one of the biggest British musicals of the past decade. It’s crossed the Atlantic to Broadway, toured internationally from Australia to Japan, been released as a cinema event, and clocked up over 300 million streams on Spotify. The cast album has become a genuine pop record in its own right.

Now celebrating over six years at the Vaudeville Theatre and booking well into 2027, SIX has earned its crown as one of London’s most reliably popular nights out. But popularity doesn’t always equal quality. Critics have been split — the audience adoration is overwhelming, yet some professional reviewers have questioned whether the show offers substance beneath its glittering surface. That’s exactly the kind of show London Reviews exists to assess honestly.

In this SIX the Musical review, we’ll look at the current 2026 cast, what audiences genuinely think, whether the ticket prices represent fair value, and who this show is really best suited for. If you’ve read our reviews of The Savoy London or Dishoom King’s Cross, you’ll know we don’t do puff pieces.

3. The Venue: Vaudeville Theatre

Location & Getting There

The Vaudeville Theatre sits on The Strand, slap in the heart of theatreland, sandwiched between the Adelphi Theatre and the Savoy Theatre. Covent Garden piazza, with its restaurants and buskers, is a few minutes’ stroll away — handy for pre-show dining or just soaking up London’s West End atmosphere.

Getting there is straightforward. Charing Cross station (Bakerloo and Northern lines, plus National Rail) is roughly a five-minute walk along The Strand. Embankment station is equally close, connecting to the Bakerloo, District, Northern and Circle lines. If you’re coming by bus, routes 6, 9, 11, 13, 15, 23, 68, 76, 87, 91, 139, 171, 176 and 188 all serve stops within easy reach. The nearest car parks are Q Park Covent Garden (about a five-minute walk) and Q Park Leicester Square (around ten minutes). Limited Blue Badge parking spaces are available on John Adam Street, Henrietta Street and William IV Street. There’s also a taxi rank outside Charing Cross station.

The Building

Originally opened in 1870 and designed by C.J. Phipps, the Vaudeville has been rebuilt twice since. The interior was completely reconstructed in 1925, changing the auditorium from a horseshoe to a rectangular shape — which actually gives it better sightlines than many older theatres. It holds a Grade II listing and retains a Victorian exterior with a plush, intimate interior. With a capacity of just 690 seats across three levels (Stalls, Dress Circle and Upper Circle/Grand Circle), it’s one of the smaller West End houses. For a pop-concert musical like SIX, this works brilliantly — you’re never far from the action.

Seating Guide: Where to Sit

The rectangular shape means most seats offer a fairly direct, head-on view of the stage. The Stalls (336 seats) have a gentle rake, and rows D to G are widely considered the sweet spot — close enough to feel the performers’ energy without craning your neck. Seats like D8 and E10 get consistently rave reviews on SeatPlan for their central position and decent legroom.

The Dress Circle (188 seats) provides an elevated perspective that’s excellent for taking in Carrie-Anne Ingrouille’s choreography as a whole. Front rows here offer terrific views but can be tight on legroom. There are support pillars at the ends of row F which can cause minor obstructions in rows F through K — but for SIX, where the stage is compact and all the action is concentrated centrally, this rarely causes serious problems.

The Upper Circle (156 seats) is the budget option and, frankly, surprisingly good value in a venue this small. You won’t pick up every facial expression, but the sound is excellent and you can see the full staging without restriction. The back row of the Stalls is also worth considering — despite being behind the Dress Circle overhang, the overhang doesn’t significantly affect the SIX experience, and seats like S6 or S14 offer terrific value at lower price bands.

Accessibility

Wheelchair access to the Stalls is provided via a Domino Zonzini platform stair climber (accommodating wheelchairs up to 87.5cm long and 96.5cm wide, max combined weight 400kg). Wheelchair spaces are at Stalls M1 and M18 with companion seats adjacent. Electric wheelchair users may need to transfer to the theatre’s manual chair. Wheelchair users are asked to arrive 45 minutes before curtain and must contact the Nimax Access Team in advance (0330 333 4815 or [email protected]).

There’s an important catch to know about: the Vaudeville doesn’t have its own accessible toilet. The theatre has an arrangement with the Adelphi Theatre (about 100 metres along The Strand) and the Strand Palace Hotel, where accessible facilities are available. Staff will accompany you. It’s a workable solution but not ideal, and it’s worth knowing before you book.

An infrared hearing assistance system is available on a first-come, first-served basis. SIX also schedules regular BSL-interpreted performances (provided by Jacqueline Lewis), captioned performances (by Stagetext), and audio-described performances (by VocalEyes). Upcoming access dates include BSL on 12 July 2026, captioned on 18 July 2026, and audio-described on 26 July 2026. Assistance dogs are welcome, with a dog-sitting service available (advance booking recommended).

Bars & Interval

There’s no interval — the show runs straight through at 80 minutes. Two bars serve the theatre: one in the Dress Circle (also accessible from the Stalls) and another in the Upper Circle. Both sell alcoholic and soft drinks plus snacks. The Nimax Theatres app lets you pre-order drinks for a 10% discount and skip the queue. A small cloakroom is available for a fee.

Stage Door

The Vaudeville stage door is accessible from the side of the theatre. Because SIX is only 80 minutes with no interval, the cast tends to emerge relatively quickly after the show. Multiple recent audience reviews mention cast members stopping to chat, sign programmes and take photos outside. For a brief show, the stage door experience is surprisingly generous — several April 2026 visitors praised performers who took time to interact with the waiting crowd.

4. The Show: What to Expect (Spoiler-Free)

The premise is beautifully simple. Henry VIII’s six wives — Catherine of Aragon, Anne Boleyn, Jane Seymour, Anna of Cleves, Katherine Howard and Catherine Parr — step out of history and onto a pop-concert stage to compete in a sing-off. Each queen gets a solo number to argue she had the worst time being married to the Tudor monarch, and the “winner” will lead the band. It sounds daft. It is daft. And it’s wonderfully entertaining.

What makes it work is the commitment to the concert format. This isn’t a traditional book musical with scene changes and spoken dialogue connecting the songs. It’s structured like a gig: six performers, a live all-female band (The Ladies in Waiting) on stage behind them, microphones, choreography, banter between numbers. The “competition” narrative provides just enough dramatic spine to give the evening shape, while each queen’s solo tells her story through a different pop genre — Beyoncé-flavoured R&B for Aragon, Avril Lavigne-style punk-pop for Boleyn, Adele-esque balladry for Seymour, and so on.

The tone is playful and modern. Expect text-speak in the lyrics, Tudor dating reimagined as a Tinder swipe, and a surplus of gloriously nerdy history puns. The show wears its feminism on its bejewelled sleeve — the overarching point is that these women have been reduced to footnotes in a man’s story, and this is their chance to reclaim their own narratives. It’s sung-through with short spoken sections of banter between numbers. There’s no fourth wall: the cast addresses the audience directly, encourages cheering, and the vibe is closer to a hen night than a hushed stalls experience.

At 80 minutes with no interval, it never outstays its welcome. The show closes with the “Megasix” finale — a 90-second medley mashing all the songs together that routinely gets the audience on their feet. Audiences are encouraged to film and share this section on social media, which is a smart touch and partly explains SIX’s viral success.

5. The Cast & Performances

The current London cast (from February 2026) features Jaz Robinson as Catherine of Aragon, Thao Therese Nguyen as Anne Boleyn, Hana Stewart as Jane Seymour, Dionne Ward-Anderson as Anna of Cleves, Caitlyn De Kuyper as Katherine Howard, and Amelia Kinu Muus as Catherine Parr. The show also has a roster of alternates and swings including Honey Joseph, Meg Dixon-Brasil and Leonor Correia, all of whom have received strong reviews when stepping into principal roles.

The vocal standard across all six performers is consistently high — this is a show that demands powerhouse singing from every member of the cast, with no weaker link to hide behind. Recent professional reviews single out the individual energy each performer brings to their queen. West End Best Friend, reviewing the new cast in March 2025, praised the company for maintaining the high standard set by previous casts, noting quick wit, comedic timing and superb vocals across the board. Musical Theatre Review described the energy as “electric from the moment the music kicked in.”

It’s worth noting — as the show’s producers state clearly — that casts change regularly and no particular performer is guaranteed on any given night. SIX has always been an ensemble show where the concept is bigger than any individual casting. Every set of queens brings something different, and that freshness is arguably part of its longevity. If you’re lucky enough to catch an alternate cast, you might discover a new interpretation that surprises you.

6. The Music, Staging & Production

The Songs

Marlow and Moss have crafted what Time Out called “brutally efficient pastiche pop songs.” Each queen’s number channels a specific pop icon: “No Way” gives Aragon a Beyoncé-style anthem of defiance; “Don’t Lose Ur Head” is Boleyn’s Avril Lavigne-channelling punk number; “Heart of Stone” is Seymour’s Adele-flavoured ballad; “Haus of Holbein” is a bonkers German techno interlude; “Get Down” gives Cleves an Alicia Keys groove; “All You Wanna Do” takes Howard’s story into Ariana Grande territory; and “I Don’t Need Your Love” is Parr’s empowerment anthem. The “Ex-Wives” opener and “Megasix” finale bookend the show with ensemble bangers.

What’s clever — and sometimes overlooked — is how the pop genres aren’t just aesthetic choices. They’re character choices. Each musical style reflects something about that queen’s personality and story. The music is performed live by The Ladies in Waiting, a five-piece all-female band on stage throughout. The live band gives the show an authenticity that pre-recorded tracks could never match, and the musical direction by Joe Beighton ensures the sound quality is consistently strong.

Staging & Design

Emma Bailey’s set is deliberately minimal — a concert staging with the band visible upstage and LED lighting rigs above. This isn’t a show that relies on elaborate scenery; it relies on performers and music. Tim Deiling’s lighting design does the heavy lifting visually, shifting colour palette to match each queen’s signature hue and creating a genuine concert atmosphere. It pulses, it shifts, it creates mood — and yes, it includes strobes and haze effects, so those with light sensitivity should be aware.

Gabriella Slade’s Tony Award-winning costumes are a highlight in their own right. Each queen wears a modern outfit that cleverly references Tudor silhouettes — corsets turned into pop-star chic, ruff collars reimagined as neon accessories. Close-up, the detail is extraordinary: each queen’s earrings indicate where she falls in the order of Henry’s wives. The costumes manage to be historically nod-worthy, pop-culturally savvy and genuinely stunning under the lights.

Carrie-Anne Ingrouille’s choreography is tight, energetic and impressively executed within the Vaudeville’s compact stage. Think concert swagger with a nod to Tudor origins — the routines aren’t Broadway-style big dance numbers, but they’re slick, synchronised and demanding. All six performers are on stage for the entire 80 minutes, dancing and singing without a break, which is physically impressive.

7. Tickets & Pricing

SIX ticket pricing is, by West End standards, reasonable. The official site lists tickets from £34.50 (including a £1.50 Theatre Restoration Levy). Nimax Theatres’ own website advertises from £19.50 (inclusive of booking fees). TodayTix offers Rush tickets — same-day seats for just £30. On SeatPlan, prices range from £40.71 to £99.71, while Theatre Tickets Direct lists from £42.00.

The most expensive tickets (around £85–100) buy you centre Stalls or front-row Dress Circle seats. But here’s the thing: in a 690-seat theatre with a concert staging, the difference between the “best” and “cheapest” seats is far smaller than in a large-scale musical. Upper Circle seats that cost £20–30 on a midweek evening still give you a perfectly good view and excellent sound.

Best Value Seats

For the best view-to-price ratio, consider Stalls rows D or E (centre), which get consistently glowing SeatPlan reviews. If budget is a concern, the back row of the Stalls (row S) offers surprisingly close views given the venue’s intimacy, and the Dress Circle overhang barely affects SIX. The Upper Circle front rows are excellent value — you’re further back, but the sound carries beautifully and you can see the full staging. End-of-row Dress Circle seats are sometimes discounted due to minor pillar restrictions that barely affect the view for this show.

Rush Tickets, Day Seats & Discounts

TodayTix offers Rush tickets for £30 — released same-day for those who are flexible. Booking midweek performances well in advance can yield prices as low as £21 on SeatPlan. School groups (10+) get Grand Circle tickets reduced to £23.50, plus one free teacher ticket per 10 students (Tue–Thu, excluding school holidays). Full-price group rates are available on all performances for parties of 10 or more through Nimax’s groups team ([email protected]).

Price Context

Compared to other West End musicals, SIX represents solid value. The show is 80 minutes long, which means your per-minute cost is higher than, say, a three-hour Les Misérables. But the tight runtime means no filler — you’re getting concentrated entertainment. And with top prices around £85–100 versus £150+ for premium seats at Hamilton or Wicked, SIX is priced at the affordable end of the West End scale.

8. What Audiences Actually Say: Review Analysis

TripAdvisor

SIX holds a 3.8 out of 5 rating from 294 reviews on TripAdvisor, placing it in the top 30% of Theatre & Concerts in London with a Travellers’ Choice award. The TripAdvisor score is notably lower than other platforms, partly because the platform attracts a broader demographic, including visitors who might not typically attend pop-concert musicals and arrive expecting a more traditional show. Positive reviews praise the energy, vocals and intimacy of the Vaudeville. Negative reviews tend to come from people who found the show too short, too loud, or not what they expected from a “musical.” A minority felt it didn’t justify the ticket price for 80 minutes.

Headout & Other Booking Platforms

On Headout, the show scores 4.7 out of 5 from 1,853 ratings — a very strong result. Recent April 2026 reviews overwhelmingly praise the cast’s vocal ability, the energy of the performances, and the intimacy of the venue. Recurring positive themes include the quality of the singers, the fun atmosphere, the excellent sound, and how enjoyable the show is for mixed-age groups. Criticisms centre on the age of the building (no lift), the brief running time, and some finding the music too loud for their taste.

SeatPlan

SeatPlan gives SIX a standout 4.8 out of 5 from 2,192 reviews, with 84% awarding five stars. The platform’s audience skews towards regular theatregoers, and the consensus is overwhelmingly positive. Recommended for teenagers (92%), theatregoers (89%) and couples (85%). Seat-specific reviews are exceptionally detailed here and well worth reading before you book.

Professional Critics

Professional opinion is more mixed, which is worth understanding. Time Out gave SIX 3 out of 5, praising the songs and performances while arguing the feminist politics are shallow. The Telegraph awarded 4 out of 5. WhatsOnStage gave 4 out of 5 and called for the queens to reign over the West End. Musical Theatre Weekly awarded 5 out of 5. Everything Theatre also gave it full marks. The Evening Standard described SIX as “the most uplifting piece of new British musical theatre.” Musical Theatre Review, visiting the new 2026 cast, praised the show as “smart and brilliantly fun” and still “thriving” after six years.

The gap between critics and audiences is telling. Critics tend to judge SIX against the weight of its feminist ambitions and find it wanting; audiences judge it as a night out and find it thrilling. Both perspectives are valid. This is a show that prioritises energy and entertainment over intellectual depth, and your enjoyment will partly depend on what you expect from your theatre.

9. What Audiences Love Most (Positive Themes)

1. The vocal performances. This is the single most mentioned positive across every review platform. Audiences are consistently blown away by the vocal power of all six performers, with many comparing the experience to attending a pop concert with world-class singers.

2. The energy and atmosphere. SIX generates a uniquely buzzy, communal energy that most West End shows don’t. The audience is encouraged to cheer, clap and interact, creating a party atmosphere that reviewers describe as infectious and uplifting.

3. The catchy music. Song after song lodges in your brain. Audiences frequently mention leaving the theatre humming the tunes, and the Spotify streams back this up — the cast album is genuinely a good pop record, not just a cast recording.

4. The intimate venue. The Vaudeville’s small size means you feel close to the performers regardless of where you sit. Multiple reviews emphasise how different this feels from bigger West End houses — more personal, more connected.

5. Accessibility for new theatregoers. SIX is frequently described as a perfect “gateway” musical — short, fun, engaging, and nothing like the traditional musical theatre experience that some people find intimidating. Parents regularly praise it for introducing their teenagers to live theatre.

6. The costumes. Gabriella Slade’s designs get their own round of audience praise — sparkling, clever and camera-ready.

7. The live band. The all-female Ladies in Waiting are a genuine talking point. Audiences appreciate that the music is performed live, and the band members often receive audience shout-outs in reviews.

8. The stage door experience. Cast members frequently emerge quickly and engage warmly with waiting fans, signing programmes and posing for photos. For younger audience members in particular, this is a memorable part of the evening.

10. Areas for Consideration (Constructive Feedback)

1. It’s loud. This is the most common criticism. SIX is staged as a pop concert with a five-piece band in a small theatre. If you’re sensitive to loud music, this could be genuinely uncomfortable. The show also uses strobe effects and theatrical haze throughout. Consider earplugs if you’re noise-sensitive — they’ll soften the volume without killing the experience.

2. The running time divides opinion. At 80 minutes with no interval, some audience members feel the experience is too brief for the ticket price, especially at the premium end. Others consider the tight runtime a strength — no padding, no filler, just concentrated fun. Your mileage will vary depending on what you value.

3. It’s not a traditional musical. If you’re expecting elaborate sets, scene changes, a large ensemble and a dramatic narrative arc, SIX isn’t that show. Some TripAdvisor reviewers express disappointment at the concert format. If you go in expecting a gig rather than a traditional musical, you’ll enjoy it far more.

4. The Vaudeville is a historic building with limitations. There’s no lift — the Stalls require 6 steps down, the Dress Circle 22 stairs up, and the Upper Circle 54 stairs. There are no on-site accessible toilets. The building gets cold (it’s air-conditioned year-round), and legroom in some sections is tight, especially in the front rows of the Dress Circle.

5. Some content may surprise younger audiences. Although recommended for ages 10+, the show includes references to miscarriage, personal trauma of a physical and sexual nature, and mature themes woven into the lyrics. Several parent reviewers note the content is more adult than expected.

6. Front-row seats are too close for some. Multiple SeatPlan reviews warn that the very front row means a lot of head-shaking to follow performers who move across the full width of the stage, plus lighting effects can be blinding at close range. Rows C–E tend to be preferred.

11. Who Is SIX Best For?

✅ Teenagers and young adults — This is SIX’s core audience and they absolutely love it. 92% of SeatPlan users recommend it for teenagers.
✅ Groups of friends — The party atmosphere makes it a brilliant group night out.
✅ First-time theatregoers — Short, fun, accessible and nothing like stuffy traditional theatre.
✅ Pop music fans who don’t usually like musicals — If you’ve avoided musicals because they feel old-fashioned, this is the one to try.
✅ History buffs with a sense of humour — The Tudor references are clever and rewarding if you know the period.
✅ Couples and date nights — 85% recommendation rate on SeatPlan. At 80 minutes, it leaves time for dinner afterwards.
✅ Families with children aged 10+ — Kids who know the songs from Spotify will be in heaven.
✅ London tourists looking for a quintessentially British show — Tudor history meets pop music in the West End. It doesn’t get much more London than that.

⚠️ Those who prefer traditional musicals with elaborate staging — The concert format may feel too minimal.
⚠️ Anyone sensitive to loud noise, strobe lights or haze — The show is explicitly staged as a pop concert with all that entails.
⚠️ Very young children (under 10) — The mature lyrical themes and volume levels aren’t ideal for younger kids.
⚠️ Patrons with significant mobility needs — The venue’s limited accessibility (no lift, no on-site accessible toilet) presents genuine challenges.
⚠️ Those expecting a long show for their money — At 80 minutes with no interval, SIX is one of the shortest shows on the West End.

12. How SIX Compares to Similar Shows

Verdict: SIX occupies a unique niche. It’s shorter, cheaper and more accessible than its heavyweight competitors, and the intimate venue creates an experience you simply can’t replicate in a 1,500-seat theatre. Hamilton offers more narrative depth and a longer evening; Moulin Rouge! offers more visual spectacle. But neither generates quite the same participatory, communal energy as SIX. It’s a different kind of show for a different kind of audience — and there’s no shame in that.

13. Insider Tips

Best seats for the money: Stalls rows D–E centre for premium, or Upper Circle front rows for budget. Back row Stalls (row S) is genuinely good value — the venue is so compact that even “far” seats feel close. End-of-row Dress Circle seats are sometimes discounted due to minor pillar obstructions that barely affect this show.

When to book for best prices: Midweek evenings (Tuesday, Wednesday) are cheapest. Book well in advance — SeatPlan shows Wednesday tickets available from as little as £21 several months out. Avoid school holiday weeks and Saturday evenings for the best deals.

Stage door: Because there’s no interval and the show runs just 80 minutes, the cast tend to come out fairly quickly after the final bow. Wait by the side of the theatre. The performers are generally generous with their time, especially with younger fans. Have a programme or phone ready.

Pre-show dining nearby: Joe Allen (American-style bistro, two minutes’ walk, loaded with theatre memorabilia) is a classic pre-show choice. Leon on The Strand does quick, healthy bites if you’re short on time. For something more special, Rules Restaurant (35 Maiden Lane) is London’s oldest restaurant and nicely thematic for a night of Tudor history. Covent Garden piazza is a few minutes’ walk for a broader range of options.

What to wear: Smart casual is the norm. The show’s fans sometimes dress up in Tudor-inspired outfits or in their favourite queen’s colour, which adds to the party atmosphere. The theatre is air-conditioned and can feel chilly — bring a light layer.

No-interval tips: Use the loo before you go in — there’s no break. Pre-order interval drinks via the Nimax app for a 10% discount to collect before the show or to enjoy afterwards. The show is strict on latecomers: if you arrive after the show has started, you’ll be asked to wait for an appropriate re-admission point.

Singalong performances: SIX offers special singalong performances — the next one is scheduled for Sunday 3 May 2026 at 7pm. Audiences are invited to dress as their favourite Tudor pop star. If you know the songs, these are an absolute blast.

14. FAQs

How long is SIX the Musical at the Vaudeville Theatre in London, including any interval?
SIX runs for approximately 80 minutes with no interval. It’s one of the shortest shows on the West End, which means it’s tightly paced with no filler.

How much do SIX the Musical tickets at the Vaudeville Theatre in London cost, and where is the cheapest place to book?
Tickets start from £19.50 through the Nimax Theatres website or from £30 via TodayTix Rush. The official SIX website lists from £34.50. Premium seats can reach £99.71. SeatPlan and TodayTix often have the best deals for budget-conscious buyers.

Is SIX the Musical at the Vaudeville Theatre in London suitable for children, and what is the age recommendation?
The show is recommended for ages 10 and above. Children aged 14 and below must be accompanied by an adult aged 18 or over. The content includes references to personal trauma and mature themes in the lyrics, plus loud music, strobes and haze effects.

What are the best seats for SIX the Musical at the Vaudeville Theatre in London?
Stalls rows D–G centre are widely considered the best. D8 and E10 receive particularly strong reviews on SeatPlan. For budget seats, the front rows of the Upper Circle or back row of the Stalls offer excellent value without significantly compromising the experience.

Is SIX the Musical at the Vaudeville Theatre in London wheelchair accessible, and what accessibility provisions are available?
The Vaudeville provides wheelchair access to the Stalls via a platform stair climber (spaces at M1 and M18). An infrared hearing system is available. BSL, captioned and audio-described performances are scheduled regularly. There is no on-site accessible toilet — arrangements are in place with the Adelphi Theatre nearby. Contact [email protected] or 0330 333 4815 before booking.

Who is in the current cast of SIX the Musical at the Vaudeville Theatre in London in 2026?
As of April 2026, the cast features Jaz Robinson (Catherine of Aragon), Thao Therese Nguyen (Anne Boleyn), Hana Stewart (Jane Seymour), Dionne Ward-Anderson (Anna of Cleves), Caitlyn De Kuyper (Katherine Howard) and Amelia Kinu Muus (Catherine Parr). Alternates and swings perform regularly, so specific cast members are never guaranteed.

How do I get to the Vaudeville Theatre in London to see SIX the Musical, and which Tube station is nearest?
The nearest Tube station is Charing Cross (Bakerloo and Northern lines), around a five-minute walk. Embankment station (Bakerloo, District, Northern and Circle lines) is equally close. Bus routes 6, 9, 11, 13, 15, 23, 68, 76, 87, 91, 139, 176 and 188 serve nearby stops.

Does SIX the Musical at the Vaudeville Theatre in London have a dress code, and what should I wear?
There’s no formal dress code. Smart casual is the norm — jeans and a nice top are perfectly fine. Many fans come dressed in their favourite queen’s colour or in Tudor-inspired outfits, especially for singalong performances. The theatre is air-conditioned and can feel chilly, so a light layer is advisable.

Are there group discounts available for SIX the Musical at the Vaudeville Theatre in London, and how do school bookings work?
Groups of 10+ can access discounted rates on all performances. School groups receive Grand Circle tickets at £23.50 (reduced from £34.50–£44.50), with one free teacher ticket per 10 students, valid Tuesday–Thursday excluding school holidays. Contact the Nimax groups team at [email protected] or 0330 333 4817.

Can I take photos during SIX the Musical at the Vaudeville Theatre in London?
The general policy is no phones during the performance. However, audiences are actively encouraged to film and share the “Megasix” finale, which is part of the show’s social media strategy and a unique feature compared to most West End productions.

15. London Reviews Verdict on SIX the Musical Review

SIX isn’t trying to be the next Les Misérables. It isn’t trying to match Hamilton’s dramatic weight or Wicked’s visual spectacle. It’s doing something smaller, sharper and — in its own way — just as effective: taking a concept that could easily be a novelty and executing it with enough craft, energy and genuine musical talent to make it last. Six years in the West End and counting. Over 35 international awards. A Spotify following that most actual pop artists would envy. The numbers speak for themselves.

We understand why some critics have been lukewarm. The feminist messaging is broad rather than deep, the competitive structure feels slightly at odds with the sisterly finale, and 80 minutes doesn’t leave room for much character development. These are fair criticisms. But they rather miss the point of what SIX actually is: a pop concert wrapped in a history lesson, delivered with wit, warmth and jaw-dropping vocals. It’s more a party than a play, and it knows it.

The 2026 cast maintain the fearsomely high standard that every SIX company has set before them. The Vaudeville Theatre is a cracking venue for this show — intimate enough to feel the performers’ energy from any seat, with sound quality that does justice to both the band and the vocals. At its best, SIX makes you forget you’re watching a musical and think you’re at the best gig of the year. At its weakest, you might wish it dug a little deeper. Either way, you’ll leave humming the songs.

With tickets starting under £20 and a running time that still leaves your evening free for dinner, SIX is one of the best-value, most purely entertaining West End shows currently running. It won’t change your life. It might just make your Tuesday night considerably better.

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17. Summary: Our SIX the Musical Review Rating

Disclaimer: This review was independently researched using publicly available information from TripAdvisor, Google, SeatPlan, WhatsOnStage, Headout, Time Out, The Guardian, The Telegraph, The Evening Standard, Broadway World UK, Musical Theatre Review, West End Best Friend, Attitude Magazine, ArtsHub, London Mums Magazine, TodayTix, Official London Theatre, Nimax Theatres, the official SIX the Musical website, and the Vaudeville Theatre website. London Reviews does not accept payment from shows, venues or production companies for our editorial content. All ratings cited are accurate as of 30 April 2026.

Have you seen SIX the Musical at the Vaudeville Theatre? Share your experience in the comments below or submit your own review. We’d love to hear whether the queens won you over — or whether you think the crown belongs elsewhere.