Dookin’ Oot Review: Should You Catch This Dark Comedy Gem at Òran Mór?

So, you’re eyeing up this *Dookin’ Oot review* because you’ve heard about the latest lunchtime theatre buzz at Òran Mór in Glasgow? Stick with us as we unpack Éimi Quinn’s riotous black comedy about assisted dying—pie and pint included, of course!

What’s This *Dookin’ Oot Review* All About?

Alright, let’s get stuck into this *Dookin’ Oot review*. Imagine you’re in Glasgow’s West End, popping into Òran Mór—a cracking venue with a massive mural and a vibe that’s pure Scotland—for A Play, A Pie and A Pint’s latest offering. *Dookin’ Oot* kicked off on 24 February 2025 and ran till 1 March, with a tour hitting Edinburgh’s Traverse Theatre (4-8 March), Paisley Town Hall (11-12 March), Johnstone Town Hall (13 March), and Aberdeen’s Lemon Tree (18-22 March). Written by Éimi Quinn and directed by April Chamberlain, it’s the first show of Brian Logan’s stint as artistic director for this lunchtime theatre legend, which has been churning out new plays since 2004.

So, what’s the deal? This *Dookin’ Oot review* is your mate giving you the lowdown on whether this hour-long black comedy about assisted dying—yep, you heard that right—is worth your lunch break. The Stage’s *Dookin’ Oot review* calls it a “riotous black comedy” that’s “cheekily disrespectful,” and trust me, it’s got a lot to unpack in 60 minutes. Pie, pint, and a proper laugh—sounds tempting, right? Let’s see if it delivers.

The Story: What’s Cooking in This *Dookin’ Oot Review*?

Picture yourself in the cosy Òran Mór auditorium—about 250 seats, close enough to smell the pastry. This *Dookin’ Oot review* starts with the lights dimming, and out comes Tricia (Irene Macdougall), a no-nonsense Easterhouse granny who’s had enough of life’s aches and pains. She’s got her sights set on Dignitas—the Swiss assisted dying clinic—but it’s not cheap, and she’s not flush. Enter Steph (Jojo Sutherland), her carer, who’s all heart and hustle. Tricia’s got a plan: flog raunchy pics on OnlyFans to fund her final trip. Yep, that’s the gist—granny gone wild, with a twist.

The play’s a two-hander, so it’s just these two bouncing off each other. You’ll see Tricia grumbling about her knackered knees, Steph cracking wise about her own skint life, and the pair hatching this mad scheme. It’s set in a council flat—think peeling wallpaper and a kettle always on—and flips between now and a flashback where Tricia’s dolled up as a glam gran selling herself online. This *Dookin’ Oot review* loves how it doesn’t shy away—there’s a bit where Tricia’s posing with a zimmer frame, and you’re howling before you catch yourself feeling a bit grim. It’s a tight hour, no faff, and it’s touring Scotland after Glasgow, so you’ve got options.

What’s It Saying? Themes in This *Dookin’ Oot Review*

Now, let’s dig deeper in this *Dookin’ Oot review*—what’s it really on about? Assisted dying’s the big one, and it’s not mucking about. Tricia’s fed up—pain, loneliness, the lot—and wants out on her terms. You’ll feel her grit, but it’s wrapped in laughs, not sermons. The Stage notes it’s “cheekily disrespectful towards death,” and you’ll get that vibe—it’s less about debating the law (Scotland’s Assisted Dying Bill was kicking around in 2021, mind) and more about one woman’s ballsy choice. This *Dookin’ Oot review* reckons it’s a proper Glaswegian take: dark, daft, and defiant.

Then there’s money—or the lack of it. Tricia and Steph are skint, and the OnlyFans gig’s a desperate punt. You’ll catch a whiff of class here—Easterhouse isn’t posh, and these two are scrapping by. It’s funny, but it stings—why’s a gran got to strip online to die with dignity? Friendship’s in there too—Tricia and Steph’s banter feels real, like they’d share a fag and a moan down the pub. This *Dookin’ Oot review* loves how it mixes bleak with bonkers—it’s not preachy, but it’ll make you think between the giggles.

The Characters: Who’s Who in This *Dookin’ Oot Review*?

Let’s chat about the stars—this *Dookin’ Oot review* hinges on them. Irene Macdougall’s Tricia is your gran with a twist—gruff, sweary, and stubborn as hell. She’s the kind of old bird who’d tell you where to shove it, and you’ll love her for it. The Stage calls her “rambunctious,” and you’ll see why—she’s hobbling about, moaning about her joints, then flipping to a glammed-up OnlyFans star with a twinkle in her eye. Macdougall’s a vet—loads of telly and theatre—and she nails Tricia’s mix of grit and gags.

Jojo Sutherland’s Steph is the other half—cheeky, warm, and a bit knackered herself. She’s the carer who’d nick a biscuit from your tin, and you’ll warm to her fast. The Stage says she’s “lively,” and you’ll clock that in her quickfire jabs and the way she eggs Tricia on. They’re a proper double act—think Morecambe and Wise with a zimmer and a smartphone. This *Dookin’ Oot review* reckons they’re the heart of it—two women you’d have a pint with, even if the topic’s a bit grim.

The Stage: What’s It Look Like?

So, you’re at Òran Mór—old church vibes, now a cracking arts hub. This *Dookin’ Oot review* paints the scene: a simple set by Kenny Miller—just a tatty flat with a bed, a chair, and a kettle. It’s bare-bones, but it works—feels like Easterhouse without overdoing it. Costumes are spot-on—Tricia’s in drab granny gear till she’s tarted up for her OnlyFans stint, all sequins and sass. Steph’s in carer scrubs, practical but lived-in.

April Chamberlain directs it with a light touch—it’s an hour, no interval, so it’s punchy. The Stage’s *Dookin’ Oot review* says it’s “tightly directed,” and you’ll feel that—no faffing, just the story barreling along. Lighting’s soft, sound’s minimal—just enough to nudge the mood. This *Dookin’ Oot review* likes how it keeps it real—nothing flashy, just two women and a madcap plan stealing the show.

The Acting: Are They Any Good?

Onto the performances—this *Dookin’ Oot review* can’t skip these two. Irene Macdougall’s a force—her Tricia’s got that Glaswegian growl, and she lands every laugh and lump-in-throat moment. There’s a bit where she’s griping about her “useless bloody legs,” and you’re cackling, then she’s reminiscing about better days, and it’s quiet as a mouse. Jojo Sutherland’s Steph is just as cracking—stand-up comic turned actor, and she’s got timing down pat. She’s nattering about her own rubbish life, and you’re hooked.

The Stage praises their “rambunctious” and “lively” turns, and this *Dookin’ Oot review* agrees—they’re a dream team. They bounce off each other like they’ve been mates forever, and you’ll buy every second. No weak links here—it’s just them, and they carry it with bells on. You might wish for a third voice to mix it up, but this *Dookin’ Oot review* says they don’t need it—they’re that good.

The Techy Bits: Any Gimmicks?

Don’t expect bells and whistles—this *Dookin’ Oot review* keeps it simple. No fancy tech, just a straightforward setup—bed, chair, kettle, done. The flashback to Tricia’s OnlyFans shoot’s the twist—sudden glam lighting and a bit of cheeky music (think saucy lounge vibes). It’s subtle but effective, and you’ll grin at the shift. The Stage doesn’t mention much tech, and this *Dookin’ Oot review* reckons that’s spot-on—it’s all about the words and the women, not gizmos.

How’s It Feel?

Get ready for a wild hour—this *Dookin’ Oot review* promises laughs with a sting. You’ll start chuckling—Tricia’s grumbling and Steph’s quips are pure gold—then catch yourself thinking, “Blimey, this is dark.” The Stage calls it “riotous” and “life-affirming,” and you’ll feel that—it’s a rollercoaster from giggles to grim nods. There’s a moment where Tricia’s plotting her exit, and it’s funny till it’s not—you’ll feel the weight but not drown in it. This *Dookin’ Oot review* says it’s a proper pick-me-up with a twist—you’ll leave buzzing, pie in belly, pint in hand.

Is It Proper Theatre?

Here’s the thing for this *Dookin’ Oot review*—it’s not your Shakespeare, but it’s theatre alright. Quinn’s script is new, raw, and Scottish to the bone—Easterhouse slang, gallows humour, the lot. It’s not historical, but it’s bang-on 2025—assisted dying’s a hot topic, and OnlyFans is pure now. The Stage says it “covers a lot of ground,” and you’ll clock that—it’s tight but tackles big stuff. This *Dookin’ Oot review* reckons it’s A Play, A Pie and A Pint doing what it does best—fresh, fast, and unfiltered.

The Good and Bad: What’s the Verdict?

Pros for this *Dookin’ Oot review*: it’s hilarious—proper belly laughs—and the acting’s top-notch. Macdougall and Sutherland are gold, and the topic’s bold as brass. The Stage loves its “economy and wit,” and you’ll feel that punch in an hour. Cons? It’s niche—OnlyFans and Dignitas might not click for all, and it’s so fast you might miss a beat. This *Dookin’ Oot review* wonders if it could dig deeper into the sad bits, but it’s a minor gripe—it’s a riot either way.

Should You Go? Final *Dookin’ Oot Review* Thoughts

Here’s the nub of this *Dookin’ Oot review*: if you fancy a lunchtime laugh with a dark edge, get yourself to Òran Mór (or the tour stops). It’s £15 with pie and pint—bargain—and ran till 1 March 2025 in Glasgow, with dates in Edinburgh, Paisley, Johnstone, and Aberdeen after. This *Dookin’ Oot review* says it’s a cracking start to Brian Logan’s A Play, A Pie and A Pint era—funny, fearless, and pure Scottish. Grab a mate, scoff your pie, sip your pint, and enjoy a tale that’s mad as a bag of cats—you won’t regret it.