Walter Donohue by Sarah Ainslie
We are delighted to announce that – due to popular demand – script editor, producer and luminary of the British cinema, Walter Donohue has agreed to teach another two-day screenwriting course at Townhouse in Spitalfields on the weekend of 18th and 19th April.
Here are some comments by students on Walter’s previous course:
“I just want to say thank you for putting on such a fantastic weekend – it was so, so interesting speaking with like-minded people who share such a love for film and to be able to speak to the wonderful Walter and Mike Figgis and glean some of their vast knowledge. The food was delicious and the setting was ideal, I really appreciate the effort that you put into making it such a fantastic weekend.” MN
“The course itself exceeded my expectations – I learned so many invaluable lessons about screenwriting and the film industry itself. I will take all the new skills into my career. Both Mike Figgis and Walter led an incredibly useful course and truly took their time with each student.” GE
“The weekend spent in the Townhouse was nothing short of wondrous. Walter’s passion for writing and storytelling is infectious. For every story that the students had, Walter had suggestions that took that story to a new level. The man’s knowledge of what is needed in screenwriting and how to pitch, for me, was invaluable. The weekend was two days that I will never forget. I now have the tools and ammunition to start my own personal project. The visit by Mike Figgis was insightful. His views on Hollywood and filmmaking were blunt, informative and most importantly, honest! I could have listened to him talk all day.” JL
WALTER’S EXPERIENCE
In the eighties, Walter began working as a script editor, starting with Wim Wenders’ Paris, Texas and Sally Potter’s Orlando. Since then he has worked with some major filmmakers including Joel & Ethan Coen, Wim Wenders, Sally Potter, David Byrne, Mike Figgis, John Boorman, Viggo Mortensen, Alex Garland, Kevin Macdonald, and László Nemes.
For the past thirty years he has been editor of the Faber & Faber film list, publishing Pulp Fiction and Barbie, and screenplays by Quentin Tarantino, Wes Anderson, David Lynch, Sally Potter, and Greta Gerwig & Noah Baumbach, Joel & Ethan Coen, and Christopher Nolan among many others.
Walter also published Scorsese on Scorseseand edited the series of interview books with David Lynch, Robert Altman, Tim Burton, John Cassavetes, Pedro Almodovar and Christopher Nolan.
THE COURSE
Walter’s course is suitable for all levels of experience from those who are complete beginners to those who have already written screenplays and seek to refresh their practise. The course is limited to sixteen students.
APPROACHES TO SCREENWRITING
Walter says –
“My course is about approaches to writing a screenplay rather than a literal step-by-step technique on how to write.
The objective of my course is to immerse participants in the world of film, acquainting them with a cinematic language which will enable them to create films that are unique and personal to themselves.
There are four approaches – each centred around a particular film which will be the focus of each of the four sessions.
The approaches are –
Structure: Paris, Texas
Viewpoint: Silence of the Lambs
Genre: Anora
Endings: Chinatown
Participants will be required to have seen all four films in advance of the course.”
This is a unique opportunity to enjoy a convivial weekend with Walter in an eighteenth century townhouse in Spitalfields and learn how to approach your screenplay.
Refreshments, freshly baked cakes and lunches are included in the course fee of £350.
Please email [email protected] to book your place.
Please note we do not give refunds if you are unable to attend or if the course is postponed for reasons beyond our control.
Photographs copyright © Sarah Ainslie
