In 1953, Golding sent his novel to nine publishers, all of whom rejected it. Undaunted, he offered the manuscript to Faber and Faber, one of the most prestigious London firms. It was picked up by Charles Monteith, a junior editor who had only worked at the publishing house for a few months. The signs were not promising.
Absurd and uninteresting
He told the ‘s Bookmark in 1984: “Already there was one particular sort of thing I could spot, and that was the tired, weather-beaten old manuscript that had been around a lot of publishers before it reached us, and this was very much that. It was a large yellowing manuscript with the pages beginning to curl, and one or two stains for teacups that were put on them, or wine glasses, and drops of coffee and tea spilled, and was bound in rather depressing, hairy brown cardboard, and there was a short, formal covering letter.”
One of the publisher’s professional readers had already delivered her written verdict on Golding’s manuscript, dismissing it as an “absurd and uninteresting fantasy”. Along with a circled R for “reject”, she wrote: “Rubbish and dull. Pointless.”
Fortunately for Golding, Monteith gave the Book another go, and decided to save it from oblivion. He said: “I had a look, and I must say I wasn’t at all attracted by the beginning of it, but eventually I went on and got absolutely caught up by it. And from then on, I said ‘we must take this seriously’.”
He persuaded Faber and Faber to publish the book, but Golding first had to make some significant changes to the text. Also, its original title, Strangers from Within, had to go. According to Golding biographer Professor John Carey, the original manuscript was a religious novel that was “drastically different from the Lord of the Flies most people have read”.
Capacity for evil
Speaking on 2012 Arena documentary The Dreams of William Golding, Carey said that the author became deeply religious following World War Two, when he had served on a Royal Navy destroyer, but his editor Monteith’s revisions excised these elements. “Golding concedes, concedes, concedes, until what came out is a novel that is secular; it’s not assuming any supernatural intervention,” he said.
Golding’s experience of war gave him a deep sense of man’s capacity for evil and a disillusionment with the idealistic politics of his early life. Lord of the Flies was his warning that the Nazism that engulfed Germany in the 1930s could happen in any civilised country. Speaking on The South Bank Show in 1980, he explained how the war transformed his attitude to human nature.
